FACE: Generally “blocky” and flat. Chin is wide. Full cheeks. Has a short, slightly downturned nose. Heavy wrinkles around eyes due to copious squinting and straining. Also has prominent smile caging his mouth. This is mostly due to his habit of scowling. Eyes are a deep brown in color, and are often quite heavy-lidded. Eyebrows are decently thick. He’s quite nearsighted and incapable of seeing much without his glasses, which are half-moon shaped and feature two central decorations: a purely decorative loupe-esque lens tainted gold, which he can position up and down in front of his glasses; and a small chain ending in a black, silhouetted moth pendant.
HAIR: Sits around a 3b texture. Very well-maintained, loose curls. Slightly outgrown past shoulder-length, and a deep black in color. It’s somewhat angled to the left, usually, with that side often carrying a “heavier” quantity of hair — a lot of these tilted strands tend to trawl around his forehead.
BODY: Around 5’2 in height, though his shoes subtly elevate him to a rough 5’4. He is fat, with a prominent chest and gut — his legs are somewhat slimmer, granting him an overall triangular figure. He also has relatively thick arms. He is clean-shaven, and lacks visible body hair. Though he doesn’t deliberately bind his chest, he often wears outfits that obscure its shape.
MAIN OUTFIT: A generally plain formal fit. He dons a short-sleeved lime green dress shirt, with a wide, flared collar, typically left unbuttoned at the top. Over this is a multicolored vest, worn by overhanging the left portion over the right, the former of which is black and green, resembling the shape of a luna moth’s wing, the latter being a monotone offwhite. Its back features a wide, circular emblem of a luna moth as well. The vest has pointy shoulder pads; within its atriums lie twin circles resembling the eye spots of a moth. He wears an ornate feast of Fornax-summoned jewellery… Around his neck is a leather choker with a simple gold sun pendant, and two additional golden chains adorned with burgundy gemstones. A large moth-shaped emerald hangs off the lowermost layer. His hands are similarly beautified, albeit a bit more humbly — among golden rings and bracelets are more plentiful lanyards of leather and zirconium. His belt features another gold flourish — a buckle with the shape of cicada carved into it. He wears a flared skirt with yet more optical speckles. His shoes are a dull off-grey and feature both eyespots and entire moth silhouettes at the tongue.
Whenever he leaves the control room, or otherwise specifically elects to meet strangers, he dons a fancy-looking green blazer. It’s made out of a dusty, silky material, decorated with copious dips of gold, and much more “feathery” wing iconography. The collar is especially notable, for being trimmed to resemble the ruffled feathers of a bird.

GENERAL FASHION STYLE: Subscribes quite heavily to the general fashion trends of the 2100s — meaning he’s very much constrained by formality. Most of his outfits relate around the shape of suits or similar business-esque clothing. He often prefers keeping things monochrome and simplistic, although this is mostly for the sake of making subtle details like gold buttons and rings on his body much more evident…
He likes keeping things simple, often preferring to imply his moth motif through subtle shapes and silhouettes in his clothing in lieu of overdecorated repetitive patterns. Additionally, he dislikes wearing anything too “heavy” or suffocating, usually donning layers of thin clothes and leaving his arms exposed.
Pre-train, he exclusively stuck to ‘masculine’ styles of clothing, only really getting invested in skirts afterward for their easier mobility, and also mostly under the thought of them being “robelike”. Earlier on in his life he used to simply opt for long, flowing coats for a similar reason.

POSTURE AND MOVEMENT: The desire for perfection devours him. He’s kind of annoying about appearing elegant, always keeping his posture immensely rigid, positing his hands either in front of him or behind his back, spreading his legs apart, raising his chin, always walking at a pace that’s too fast to casually follow but too slow to dart past in a line… He more or less just wants to take up as much of other people’s space and time as he can. He also often positions his feet so that he stands a little taller than his genuine height would lead you to believe.
His footsteps are often entrenched in silence, leading to him often just manifesting behind people like a wraith and scaring them. He may clack his feet or corrose his steps into more abrupt sounds to signify impatience or anger. Although he does try to keep an overall elegant air about him, he’s not above childish, subtle admissions of distaste… He does quite frequently groan and hum and clap and click his tongue to tell someone to get on with something, or to stop bothering him, or anything inbetween. These motions are usually carefully controlled and called upon when he’s intentionally trying to goad or guilt others, though in times of stress, they become involuntary and he’s more “twitchy”.
The usual expression pervading his face is a subdued grimace. His mouth tends to be very expressive actually — he purses his lip, knits his teeth together, tightens his jaw, etc. with ease. His eyes are also almost always low-lidded and half-opened, lending him a stern, leery look.

VOICE: Its most striking feature is how monotone it is, albeit not necessarily in a flat way — rather he has this consistent smoothness to his voice that always makes him sound frighteningly calm. It’s harkenable to the average barely-enthused inflection you’d hear in a generic product advertisement, basically. In spite of this, it’s easy to tell when he’s ticked off… Since he’s not shy about raising his tone nor outright shouting when angered. Intonation is typically slow for the sake of clarity. This hardly ever changes. Mid-pitched, with him often sticking to more throaty, guttural notes, though occasionally he volleys himself into higher, scratchier ones unintentionally.
In English, he has a distinctly controlled Transatlantic-ish accent, mostly concocted for the sake of mimicking Received Pronounciation speak to seem fancy. Within the context of all the other languages he knows, he maintains similarly controlled “textbook” accents expected of typical posh upperclass speech in relevant areas. For one, his French articulation sounds exceptionally Parisian. When he’s caught off guard or otherwise not in his usual trained vocal garb, his voice becomes rougher, rhotic and fricative. His throat becomes a keystone in his speech, incorporating the more “throttled” sounds of both Arabic and French. If especially empassioned or quick to speech, his accent may fully descend into a distinctly French-like collage of sounds.

frequented areas

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